Behind the Screenplay with eminent director, Partha Chakraborty

A Workshop Report

by

Modhurima Guha Neogi

MAFTP Sem 1

Poster by Anindita Chatterjee, MAFTP 1

Shri Partha Chakrabarty felicitated by Prof. Moumita De Das, ASCO

During the session

On October 28, 2025, ASCO, Amity University, Kolkata, welcomed celebrated Bengali director Partha Chakraborty, best known for his films Samantaral (2017) and Kkoli: A Journey of Love (2014), for an inspiring workshop on the craft of Scriptwriting and Screenplay Development. The workshop aimed to help students understand the creative and technical processes behind writing for cinema — transforming raw ideas into structured, visual narratives.

Partha Chakraborty is an acclaimed filmmaker, celebrated for his subtle storytelling and distinctive portrayal of human emotions. His works explore complex psychological and social themes, blending realism with cinematic artistry. With years of experience in directing and writing, he brought valuable industry insight to the session.

The workshop opened with a discussion on the core principles of screenplay writing, illustrating how to convey emotions and scenarios through dialogue as well as visual storytelling. He then elaborated on the core principles of screenwriting — including the three-act structure, characterization, and the crucial role of conflict in propelling the narrative. Shri Chakraborty emphasized that – “Creating a compelling visual experience is the first and most fundamental aspect of scriptwriting”.

He explained the distinction between a script and a screenplay, emphasizing that every scene should convey emotion through action rather than exposition. Drawing examples from his own films as well as the works of renowned filmmakers such as Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Tarun Majumdar, he demonstrated how subtle gestures, silences, and camera movements enrich cinematic storytelling.

The workshop also included an interactive exercise where participants were asked to convert a short story idea into a film scene. Shri Chakraborty guided students on how to break the scene into beats, visualize the sequence, and write concise but expressive dialogue. He further explored the realms of documentary filmmaking, commercial advertising, and short-format cinema.

Scriptwriting practice by the students

Main Learnings and Observations of the workshop:

·       The significance of visual storytelling — crafting scenes with the camera’s perspective in mind.

·       How characters should develop through their decisions and actions rather than through exposition.

·       The significance of authentic emotional expression and avoiding stereotypical or overused elements.

·       Fundamental structure of scriptwriting.

·       The concepts of time and space in storytelling.

·       The differences between writing for TV series versus films.

·       Exploration the world of advertising during the session.

·       The value of revisions and constructive feedback in refining a script.

·       Recognizing that filmmaking is a collaborative art, where writers must consider direction, editing, and performance while shaping the narrative.

MAFTP Students attending the session

The session offered a rare window into the mind of an experienced filmmaker and deepened participants’ understanding of compelling screenplay construction. Shri Partha Chakraborty’s practical advice and real-world examples inspired many students to explore writing for the screen. Overall, it was an enriching experience that bridged the gap between classroom theory and cinematic practice.

No comments:

Post a Comment