Showing posts with label Rai Saha. Show all posts
Showing posts with label Rai Saha. Show all posts

MAITRI CULTURAL ECONOMY SAMITI (MCES) WEST BENGAL SUMMIT, KOLKATA 2026

Report

Rai Saha

Photographs

Teerthankar Basak & Md. Sameer

BAJMC Sem 3

Mentor

Prof. Moumita De Das, Associate Professor, ASCO 

 

ASCO Students & Team ASCOPE at MCES 2026
From L-R Rai Saha, Aishwarya Siingh, Prof. Moumita De Das, Tanisha Banerjee, Md. Sameer, Nilanjana Chattoraj (sitting) Teerthankar Basak, Sohini Bhattacharya

MCES 2026: Unfolds the Vision of Purvodaya Through Culture, Spirituality and Economic Policy, with ASCO Students Capturing Every Chapter

 

On July 17, 2026 marked a significant milestone in India's cultural and policy landscape as MCES 2026, themed "Purvodaya," successfully convened Eastern India's first Cultural Economy Summit at Fairfield by Marriott, Kolkata. Organised and powered by the Maitri Cultural Economy Samiti (MCES) under the aegis of MaitriBodh Parivaar, the summit was held in close collaboration with the Ministry of Culture, Government of India, the Eastern Zonal Cultural Centre (EZCC), the Maulana Abul Kalam Azad Institute of Asian Studies (MAKAIAS), Mahindra, SmArt and the Bharat Ekatvam Foundation.


Guided by the spiritual vision of His Holiness Maitreya Dadashreeji and driven by the economic leadership of Shri Gopal Krishna Agarwal, Patron, MCES and National Spokesperson, BJP (Economic Affairs), the summit sought to redefine the way India perceives culture, not merely as an inheritance of the past but as a living, evolving economic force. Under the theme Purvodaya, meaning the "Rise of the East," the summit envisioned Eastern India as a catalyst for a new developmental narrative where Sanskriti, spirituality and economic policy complement one another in shaping sustainable growth.

Throughout the day, scholars, policymakers, economists, artists, spiritual leaders and cultural practitioners came together to examine how India's festivals, temple ecosystems, indigenous knowledge systems, crafts, traditions and heritage can become engines of employment, entrepreneurship and inclusive development while preserving the country's civilisational identity.

The summit unfolded through eight carefully curated segments, comprising the inaugural session, three thematic sessions, two parallel thematic sessions, networking interactions, the presentation of the policy report and a concluding cultural programme that celebrated the artistic traditions of Eastern India.


MCES Session 2026

The Inaugural Session, themed "Governing the Cultural Economy: Institutional Roles and Policy Strategies," laid the foundation for the day's deliberations. The session was graced by Shri Gopal Krishna Agarwal, Shri Shailesh Puranik, Dr. Sarup Prasad Ghosh, Shri Shankar Ghosh, Smt. Purnima Chakraborty, and Shri Gajendra Singh Shekhawat, Hon'ble Union Minister of Culture and Tourism, Government of India, who addressed the gathering virtually. Together, the dignitaries emphasised that India's cultural heritage should be recognised not only as a source of identity but also as a strategic driver of economic development, capable of strengthening local economies while reinforcing national pride.

The discussions continued with Thematic Session I – Spiritual Traditions and Temple Economy: Perspectives from West Bengal, chaired by Prof. Nirmalya Narayan Chakraborty, Vice-Chancellor, Presidency University. The distinguished panel included Shri Kushal Choudhury, Secretary and Trustee, Dakshineswar Kali Temple and Debottar Estate; Shri Ravi Singh Chaudhary, Eminent Author and Public Thinker; Brahmachari Divakar Chaitanya, In-charge, Chinmaya Mission, Kolkata; and Paramatmanandaji Ji Maharaj, Spiritual Guru and Eminent Author. The session explored the economic significance of temple ecosystems, heritage restoration, spiritual tourism and the role of religious institutions in generating sustainable livelihoods while preserving authenticity and cultural values.

 

Thematic Session II – Reflections of Cultural Economy in Eastern India: Intersections of Culture, Society and Economy brought together Shri Ashish Giri, Director, Eastern Zonal Cultural Centre; Dr. Dhanpat Ram Agarwal, National Co-convener, Swadeshi Jagran Manch; Mrs. Meena Vishwanath, Deputy Director, SMaRT; Smt. Tramila Bhattacharya, actress and social worker; Dr. Sumit Sur, Ayurveda practitioner and researcher in Indian Knowledge Systems; and Shri Goutam Dey, Founder and President, Bharatacharcha Foundation. Through diverse perspectives, the speakers examined how cultural practices, traditional knowledge systems and community participation continue to shape regional economies and strengthen Eastern India's developmental landscape.

The historical continuum of Eastern India formed the basis of Thematic Session III – From Anga to Banga to Kalinga: Reimagining Ancient Cultural Linkages for Sustainable Cultural-Economic Connectivity. The session featured Prof. Byomakesh Tripathy, Vice-Chancellor, Gangadhar Meher University; Prof. Ramkrushna Pradhan, Dean, School of Social Sciences, Guru Ghasidas Vishwavidyalaya; Dr. Pritam Banerjee, Head, Centre for WTO Studies; and Prof. Rabiranjan Sen, historian and President, Vidya Bharati, West Bengal. Drawing upon the maritime and cultural exchanges that once connected Anga, Banga and Kalinga, the discussion explored how these historic linkages can inspire contemporary regional cooperation and sustainable economic connectivity.

Running simultaneously were two parallel sessions that expanded the summit's multidisciplinary discourse.

Parallel Session IV – Lifestyle Through Art: Restoring Heritage for Sustainability featured Dr. Joy Sen, Professor, Department of Architecture, IIT Kharagpur; Shri Swapan Thakur, researcher in folklore and cultural traditions; Smt. Sanghita Mitra, Founder and Secretary, Bharatpur Patachitra Shilpi Samiti; Dr. Shubham Amin, academician and art critic; and Mrs. Arpita Bose, Lecturer, Shree Chaitanya Mahavidyalaya. The session celebrated traditional art forms as living embodiments of sustainability, demonstrating how indigenous artistic practices continue to preserve cultural identity while supporting artisan livelihoods.


 
                                        Prof. Moumita De Das as a MCES Speaker 

 
Background Paper/Conference Paper published of Prof. Moumita De Das

In parallel, Session V – Artificial Intelligence, Heritage Documentation and Intellectual Property Rights: Preserving Cultural Legacy in the Digital Age explored the transformative role of emerging technologies in safeguarding India's cultural wealth. The panel comprised Smt. Moumita De Das, Associate Professor, Amity University Kolkata; Dr. Somsubhra Gupta, Professor, Swami Vivekananda University; Shri Aditya Das, Head, Department of Commerce, Raghunathpur College; Dr. Anirban Das, Professor and AI researcher; and Shri Kaushik Maiti, Scientist, Centre for Development of Advanced Computing (C-DAC), Kolkata. The discussion highlighted how artificial intelligence, digital documentation and intellectual property frameworks can become indispensable tools for preserving cultural heritage in an increasingly digital world.

 

Session 5 Panelists and MCES Organisers

The summit concluded with the Valedictory Session and Presentation of the Policy Report, themed "The Way Forward and Roadmap for Cultural Economic Governance in Bengal: Envision Viksit Bharat @2047." The session featured addresses by Shri Rathindra Bose, Hon'ble Speaker, Government of West Bengal, and His Holiness Maitreya Dadashreeji, whose reflections underscored the importance of integrating India's timeless wisdom with contemporary governance and economic policymaking. As the programme drew to a close with a vibrant cultural presentation, Purvodaya had evolved from a theme into a shared vision.

More than a summit, MCES 2026 became a confluence of ideas where history conversed with the future, spirituality met public policy and culture emerged as an enduring economic resource. It demonstrated that the stories, traditions and knowledge systems inherited across generations are not relics of the past but living assets capable of inspiring innovation, creating livelihoods and shaping a more inclusive and culturally rooted model of development. In doing so, Purvodaya truly marked the dawn of a new conversation on Cultural Economy in Eastern India, laying a strong foundation for future collaborations between academia, government, civil society and young communicators.

 

                 Background Paper officially released by the Tourism and Culture Ministers, Govt. of West Bengal


OUTCOME FOR STUDENTS AND FACULTY MEMBER


Under the mentorship of Prof. Moumita De Das, ASCO, students received this prestigious opportunity, which was part of their Experiential Learning under UGC's NEP 2020. Beyond the distinguished speakers and thought-provoking deliberations, the summit stood as a testament to the dedication of its student volunteers, whose efforts were instrumental in documenting the event. Students from the Amity School of Communication (ASCO), Amity University Kolkata, actively contributed as rapporteurs, photographers and reel creators, working in close coordination with the organising team throughout the summit. Assigned across the thematic sessions, they meticulously documented keynote addresses, panel discussions and policy recommendations through rapporteur reports while simultaneously capturing the essence of the event through photography and short-form visual storytelling. Their work ensured that the ideas exchanged within the conference extended beyond the venue and reached wider audiences through impactful documentation. 


                Students worked as Rapporteurs for 7 sessions along with other academicians from other institutes

Our ASCOPE went national and collaborated with the MCES/Maitri Parivaar

The experience offered the students an invaluable opportunity to translate classroom learning into professional practice. Through real-time conference reportage, photography and digital storytelling, they developed practical skills in event documentation, visual communication, collaborative teamwork, professional ethics and deadline-oriented media production. Engaging directly with policymakers, academicians, economists, researchers, artists and spiritual leaders also broadened their understanding of the emerging discipline of Cultural Economy and the role of media in documenting policy discourse. Further strengthening ASCO's academic presence, Prof. Moumita De Das, ASCO also contributed to the summit as a speaker in Parallel Session V, on ‘Artificial Intelligence, Heritage Documentation and Intellectual Property Rights – Presereving Cultural Legacy in the Digital Age’. She also contributed to the Background paper, which was published officially by the organisers and ministers of tourism and culture Govt. of West Bengal. 

In recognition of the ASCO students commitment and contribution, they were presented with Certificates of Appreciation.


REPORT ON EXPERIENTIAL LEARNING FOR ASCO STUDENTS


Under the mentorship of Prof. Moumita De Das, Amity School of Communication (ASCO) students received the prestigious opportunity to be associated with MCES 2026, under Experiential Learning as framed in UGC's NEP 2020.

 

ASCO student volunteers, actively contributed as rapporteurs, photographers and reel creators, working in close coordination with the organising team throughout the summit. Their efforts were instrumental in documenting the entire event.

 

The experience offered the students an invaluable opportunity to translate classroom learning into professional practice. Through real-time conference reportage, photography and digital storytelling, they developed practical skills in event documentation, visual communication, collaborative teamwork, professional ethics and deadline-oriented media production. Engaging directly with policymakers, academicians, economists, researchers, artists and spiritual leaders also broadened their understanding of the emerging discipline of Cultural Economy and the role of media in documenting policy discourse. Further strengthening ASCO's academic presence, Prof. Moumita De Das, ASCO also contributed to the summit as a speaker in Parallel Session V, on ‘Artificial Intelligence, Heritage Documentation and Intellectual Property Rights – Preserving Cultural Legacy in the Digital Age’. She also contributed to the Background paper, which was published officially by the organisers and ministers of tourism and culture Govt. of West Bengal. 

 

In recognition of the ASCO students commitment and contribution, they were presented with Certificates of Appreciation.


IMP: The official report will soon be published by the Ministry of Culture, Govt. of India and MCES. 


Certificate of Appreciation

N.B: We are extremely thankful to Bharat Ekatvam and Maitri Parivaar Team 

to provide us with this prestigious opportunity for our ASCO students under Experiential Learning and Extension Activity under UGC NEP 2020.

 

 

Xpressions 2026: A Look at the Media Fest by ASCO-Kol

Report

Rai Saha

BAJMC Sem 2

Poster of the event

Event List of XPRESSIONS 2026

The corridors of Amity School of Communication witnessed an outburst of creativity, culture, communication and youthful spirit as the institution raised its curtains for the very first edition of its annual media fest, Xpressions 2026, held on the 14th and 15th of May. Over the span of two vibrant days, the campus transformed into a dynamic hub where students from colleges across the city gathered not only to compete, but to express, perform, create and connect. With more than 700 registrations pouring in, the fest carried an atmosphere where enthusiasm met artistry and ideas found their own stage.

The convenors of the event were Dr. Anisha Ray and Dr. Prashant Pradhan.

The event took a culturally provocative head start with an elegant inaugural ceremony graced by Debashis Sen, former IAS officer and former Chairman of the New Town Kolkata Development Authority, whose insightful words reflected upon the evolving landscape of media and society. The ceremony was also attended by Prof. Dr. Sanku Bose, Professor and senior academician, alongside Akashdeep Muni, Dean of Amity School of Communication. As the ceremonial lamp was illuminated, the stage bloomed into poetry through a graceful Rabindra Nritya performance, adding a touch of Bengal’s timeless cultural essence to the beginning of the fest. It was a moment where tradition met aspiration, and where the light of creativity seemed to pass from one generation to another.

 
      Inaugural Dance            

                                    The Crown Affair: Participants on stage                                         

DJ Session: Students fill the campus Atrium 

Panel Discussion - Stay Tuned

Across both the days, Xpressions 2026 arranged a wide spectrum of competitions and interactive experiences that brought together participants from various colleges under one roof. The air carried competitiveness, excitement and the rush of youthful expression. Cine Lumière celebrated the art of filmmaking with participants submitting thoughtfully crafted short films, while Curtain and Chaos created a dramatic space for performers to showcase their acting skills and stage presence.

The fest also embraced lighter and more interactive segments through events like Turn Coat and Pop Pandemonium, where participants engaged in spontaneous speaking rounds and cinematic guessing games that kept the energy alive throughout the day. Photography enthusiasts found their frame through Shutterstorm, a competition dedicated to visual storytelling and creative perspective. Adding to the spirit of celebration was the Experience Zone, which turned into a crowd favourite with energetic DJ arrangements across both the days alongside the fest’s hydration partner Monster Energy.

The second day unfolded with even greater enthusiasm as students and participants continued to pour into the campus. The registration desks, efficiently managed by the students of the institution, reflected the teamwork and coordination behind the fest’s execution. Events like Reel-a-Race mirrored the language of new age media, allowing participants to communicate stories, perspectives and independent direction through the medium of reels and digital storytelling.

The fest also witnessed intellectually charged discussions through Youth Parliament, where participants engaged in fierce political debates and conversations surrounding social narratives and contemporary issues. On the other hand, Bunk & Banter filled the atmosphere with humour and relatability through stand-up comedy performances that brought waves of laughter across the audience. Creativity and branding merged through Mark My Brand, where participants were provided with instant brand details and challenged to conceptualize logos from scratch before pitching the thought process behind their creations. The glamour and elegance of the fest found its space through Crown Affair, a fashion ramp walk competition that celebrated confidence, individuality and stage charisma.

The closing ceremony, themed around “Unfiltered: Reclaiming Self in the Age of Algorithm and Post-Truth Distortions,” powered by PORIBES Foundation curated by Prof. Moumita De Das brought together several renowned personalities including Dr. Dibyendu Kumar Roy, neurosurgeon and Founder-President of Poribes Foundation; Gargi Guhathakurta, Input Editor at TV9 Bangla; Tahir Abbas, media professional and communication expert; Joydeep Das Gupta, founder and editor of News Sense Media Skills Lab; and Akashdeep Muni, Dean of Amity School of Communication. Through conversations, byte-sized interactions and panel discussions, they spoke about reclaiming individuality in an era dominated by algorithms, networks and post-truth distortions while encouraging students to navigate media with authenticity and responsibility.

The fest finally concluded with a grand award ceremony honouring winners across all competitions held under the roof of Amity School of Communication. As the nominated works premiered on projectors and applause echoed through the auditorium, the celebration wrapped itself in joy, music and one final DJ session. Xpressions 2026 did not simply end as a media fest; it unfolded as a canvas of voices, perspectives and creativity, a beginning that promised an even louder expression in the years to come.

Photography: Brahmanand Samanta




BOOK LAUNCH: The Tool of Negation: How Vishwanath Alluri is Redefining the Modern Leader

 Report by

Aishwarya Siingh

BAJMC Sem 2


Vishwanath Alluri, the author of The Enlightened Manager: A Transformative Approach to Work and Life

The Book

On a Wednesday evening at the historic Oxford Bookstore on Park Street, ASCO attended the launch of The Enlightened Manager: A Transformative Approach to Work and Life. The event was more than a book release; it was a masterclass in merging corporate strategy with the profound stillness of self-awareness. Authored by Vishwanath Alluri (with Harry Eyres), the evening brought together thought leaders to dissect how modern leadership can find its soul.

The author, Vishwanath Alluri—founder of the Tanish Engineering Group—recounted his pivot from the high-pressure tech world in 2014 to his work with the Jiddu Krishnamurti Foundation. This shift is the heartbeat of his book. Charming the Kolkata crowd with a quip about how Andhra and Bengal are united by their love for rice, Alluri moved quickly into the "tool of negation." He argued that management is not about "booking up" more tasks, but about understanding the "How" over the "What."

Using compelling footage from a 2025 India-England cricket match and a high-stakes tennis match, Alluri demonstrated that management is "awareness in the moment." In his view, the athlete—and the manager—must focus on what is currently in hand rather than being paralyzed by the potential outcome.

Chief Guest Debashis Sen, Ex-IAS and Chairman of Smart City New Town, described the book as a timely "zest" of Krishnamurti’s teachings. He noted that in an age of distraction, forced concentration is a myth. "If you try to concentrate," he quoted the author, "your mind will freak away." Instead, he urged for a return to being mindful and open-minded citizens.

The panel

The panel discussion, featuring moderator Dr. Arnab Basu and panelist Anamitra Chatterjee, explored the "blurring between education and training." While training provides the "How," true education explores the "Why," naturally leading to solutions through reflection. Alluri concluded with the evocative concept of "Coffee Darshan"—the idea that a solitary cup of coffee can be a "pilgrimage inside you." As ASCO observed, the event left the audience with a singular truth: to manage others effectively, one must first find the "Panna"—the soul of wisdom—within themselves.

Pic Credit: Rai Saha

 

A Literary Evening at KCC: Unveiling Giyas Ali’s Love & His Time Alone

Report by

Rai Saha

BAJMC Sem 1 

Poster of the Event 

AMI Arts Festival, an initiative of KCC, hosted an evocative and intellectually charged book launch and reading session of ‘Giyas Ali’s Love & His Time Alone’ by Sadique Hossain on 30th November, 6:00–7:30 PM, at the KCC (Kolkata Centre for Creativity), 4th Floor with AHAVA Readers & Writers Club participating in The River of Words 2025—a literary celebration executed by Sufia Khatoon on behalf of Antonyms Publishers. The book, translated by Dr. Nandini Gupta, Professor of Electrical Engineering at IIT Kanpur, was at the centre of the evening’s discussion. 

Prof. Moumita De Das of Amity School of Communication and the Editor of ASCOPE was invited as one of the panelists to this prestigious discussion by AHAVA founders Mona Sen Gupta and Sushroota Sarkar.


The illustrious panel

L-R Dr. Nandini Gupta, the translator and the author Sadique Hossain 
along with Prof. Moumita De Das

Prof. Moumita De Das during her session along with the moderator 
Tathagata Roy, founder of Theatrician and cyber specialist, Reetwika Banerjee

Sadique Hossain, a Bengali writer and graphic designer from West Bengal and the Yuva Puraskar winner of 2012, shared in his introductory speech that he began writing this book through his phantom visions, which helped him shape the narratives without relying on conventional character archetypes. His writing, shaped partly by Latin American magical realism, offers sharp observations on situational politics through ordinary, native eyes. This book, too, extends that vision into a layered world of faith, guilt, desire and cultural memory.

Although the session was scheduled to be moderated by Mona Sen Gupta, a sudden loss of voice led to the responsibilities being handed over to Tathagata Chowdhury, who opened with his perspective on a “comedy of menace”—a category into which parts of the text subtly fall.

 The early segment reflected on the role of translation, with all the panellists collectively emphasising that translators do not merely translate language but translate culture. Translator Dr. Nandini Gupta’s treatment was praised for preserving Hossain’s unique writing rhythm, while Saira Shah Halim highlighted how the Bengali Muslim identity is rooted in a plural cultural soul shaped by everyday experiences—from the early-morning azaan to the fragrance of biryani and long-standing musical traditions. She noted that faith in Bengal has historically been an intrinsic, unquestioned part of life, Halim also pointed out the stark contrasts between the Muslim communities of Uttar Pradesh and Bengal, which create a nuanced tension between faith and longing. Gopa Bhattacharjee reflected on Hossain’s exclusive writing pattern and his nuanced depiction of internal conflicts, reinforcing the cultural and emotional depth embedded in the narrative.

 

The audience at KCC

Further contributions enriched the dialogue: Sarbani Chattopadhyay highlighted how the narrative transforms love from an emotion into a sensory experience; Pallavi Ghosal discussed how theology emerges through the parrot as a symbolic device; and Joyeeta Maiti praised the striking “bulbul and the duck” section for its stylistic distinctiveness. Shaowli Chakraborty emphasised the role of action in externalising the emotional and psychological dimensions of the story, offering insight into the writer’s thought process. Moumita De Das echoed earlier observations on the translator’s deep immersion into the writer’s world, while Tathagata Chowdhury, as moderator, remarked that certain sections of the book radiate the atmospheric intensity of a Tarantino film and even evoke anti-Christ-like imagery. Reetwika Banerjee shared that the book offered him a vivid visualisation of the rural heartland, and Amritendu Mukherjee reflected on how the rural setting interacts with a modern writing style, creating a striking literary contrast. While the discussion was enriched by these insightful panellists, several valued attendees such as Anindita Sarbadhicari, Sourabh Mukherjee, and Madhumita Roy Chowdhury were also deeply missed during the session.

 

Rai and Teerthankar from ASCOPE covering the event

The session concluded with reflections on how the book’s vivid imagery and the protagonist’s emotional landscape sparked discussions on guilt, grief, loss, and the limits of understanding. Hossain’s narrative invited readers’ active participation, and similar thematic threads resonated across the audience, a shared sense of engagement and appreciation for the text’s cultural and emotional depth.

Photographs by: Teerthankar Basak