Showing posts with label ASCOPE Team. Show all posts
Showing posts with label ASCOPE Team. Show all posts

Unveiling the Feminine Psyche: ASCOPE Attends Lopamudra Banerjee’s Book Launch ‘How Does It Matter?’

Book Launch Report

Aishwarya Siingh

BAJMC Sem 3


The book and the launch event attended by the city's well-known dignitaries

The launch of Lopamudra Banerjee’s book, How Does It Matter? Portrait of the Artist as a Woman, took place on Tuesday, September 1, 2026, at 6 PM at Cafe I Can Flyy Tea Kafi in Ballygunge, Kolkata. Representing the Amity School of Communication (ASCO), the gathering provided a deeply intellectual and emotionally charged space to celebrate poetry over prose as an essential, moving medium capable of expressing what prose often cannot reach. The event was graced by Chief Guest Moon Moon Sen, former Member of the Lok Sabha and celebrated actress. The evening’s discourse was brilliantly navigated and moderated by arts and events curator Oindrilla Dutt, alongside a panel of distinguished intellectuals, including author, scholar, and women's rights activist Jael Silliman, writer and diplomat Roma Bhattacharjea, and acclaimed film director Sudeshna Roy. Rooted deeply in her cultural origins, Banerjee’s voice resonated powerfully across the room, leaving attendees with the uncanny feeling that each verse held up a mirror to their own inner worlds and lived experiences.

Author, Lopamudra Banerjee

The central narrative of the panel discussion delved directly into the heart of the anthology, a collection of 80 fiercely feminist poems designed to give authentic, unyielding shape to the complex identity of women. The panelists praised Banerjee for her rare ability to distill profound human experiences into just a few visceral, carefully crafted words, leveraging intense and striking female imagery to explore raw themes of despair, systemic discrimination, betrayal, dislocation, and the fragile struggle to preserve sanity. A significant portion of the discourse focused on how societal structures consistently suppress women across all dimensions—emotionally, mentally, and intimately—pointing out how rarely a woman’s genuine desires and agency are acknowledged in her physical or sensual relationships. Through non-linear storytelling influenced by the raw, unbridled intensity of Sylvia Plath and showcased in evocative pieces like The Kali and Dancing in the Rain, Banerjee captures both the emotional weight of 18 years of togetherness and the terrifying sensation of being out of control, alongside the transcendent hope embodied by children dancing amid life’s sudden storms.

Audience at the event

Ultimately, the event brought into sharp focus the reality that this collection was created not for commercial gain or mass consumption, but rather for a niche audience—for literary scholars, women's studies enthusiasts, and the starving artist within who continually returns to poetry for personal salvation. The dynamic arc of the poems functions like a prism of light, wherein dark imagery of blackness, thunder, lightning, and rain undergoes a dramatic metamorphosis into the fertile, reborn essence of caustic breath, fresh blood, and renewed vitality. The influence of travel and venturing into unknown places was highlighted as a critical catalyst that expands an author's knowledge without severing ties to the places and values already known. The evening concluded with a shared reverence for the transformative weight of language, leaving no doubt that through Banerjee's courageous writing, even the most isolated and suppressed corners of female existence can find a lasting voice, a place of belonging, and ultimate liberation.

 

9th Riturangam International Film Festival 2026: A Celebration of Cinema

Report

Anuradha Halder

BAJMC Sem 3

9th Riturangam International Film Festival 2026 

The four-day 9th Riturangam International Film Festival 2026 was held from August 27- 30, 2026 at Barasat Vidyasagar Mancha Municipality Hall, Barasat organised by the Ritu Rangam Natyakendra. The festival commemorated the contribution of the erstwhile director, Rituparno Ghosh. It brought together filmmakers, artists, students, literature and cinema enthusiasts at one platform to celebrate cinema. More than 50 films from India and other countries such as Italy, France and the USA, across different languages and genres were showcased.

ASCOPE team covered the final-day, which began with a beautiful classical Kathak performance by a talented team. The graceful movements, expressions and rhythmic presentation created an engaging start to the day's programme. Following the performance, the National Film Competition began at 12 p.m. A number of films were screened as part of the competition, including Gajon, Hymns of Nature by Debanjana Manji, Eti Tomar, an Assamese film by Purbis Ahmad, and The Last Voyage, a Bengali short fiction film by Bhaswati Roy. The films presented different stories and perspectives, making the screening session an interesting experience for the audience.

ASCOPE Team, Atreyee, Anuradha and Rupa along with Prof. Sourav Kr. Basu with other dignitaries

At 3:30 p.m., a special screening of Annapurna Bhavan was held. The approximately 30-minute short fiction film was directed by Rahul Biswas, the founder of the Riturangam International Film Festival. The screening added a special dimension to the day's programme as the audience got the opportunity to watch a work by the person who had played a key role in bringing the festival together.

At 4 p.m., the programme continued with the unveiling of a special issue of Kajari magazine, followed by a panel discussion featuring distinguished personalities from the film industry. The panel included Smt. Sreelekha Mukherji, National Award-winning actress and Jury Chairperson; Smt. Sarmistha Maiti, two-time National Award-winning filmmaker; Sri Rajdeep Paul, two-time National Award-winning filmmaker and alumnus of the Satyajit Ray Film and Television Institute; Smt. Jayashree Bhattacharya, renowned filmmaker; Smt. Olivia Das, renowned sound designer; Sri Samrat Ray Chakraborty, award-winning independent filmmaker; and Partha Chakraborty, renowned film director.

Organiser Rahul Biswas of Ritu Rangam Natyakendra

The panel discussion focused particularly on short films and the art of storytelling. The speakers discussed the process of making short films, the importance of developing meaningful stories within a limited duration and the ways in which films can connect with and affect audiences. Their experiences and perspectives provided valuable insights into the creative and practical aspects of filmmaking. For students and aspiring filmmakers in the audience, the discussion offered an opportunity to understand cinema beyond simply watching a film on screen.

The next special screening took place at 4:30 p.m., when Kayantar was presented. The approximately 29-minute short fiction film was produced by Aurora Film Corporation and directed by Sarmistha Maiti and Rajdeep Paul. The screening further highlighted the festival's focus on short and independent films and provided the audience with another engaging cinematic experience.

At 5 p.m., the festival moved towards a master class and talk session, followed by the much-awaited award distribution ceremony. Several films received prizes and special recognition in different categories. Films such as The Last Voyage, Jhor, Ure Jabar Bayna, Neel Ghori and The Accused, among others, were recognised during the ceremony. The award distribution brought an atmosphere of excitement and appreciation as the festival acknowledged the creative efforts of filmmakers and artists.

The closing ceremony brought together the filmmakers, jury members, artists, participants and audience members who had been part of the festival, creating a warm and celebratory atmosphere at the venue. The interactions among the guests and the audience continued even after the formal proceedings, with conversations around films, performances and the festival itself.

9th Riturangam International Film Festival 2026 

With the final awards being presented and the last moments of the programme filled with applause and appreciation, the 9th Riturangam International Film Festival 2026 came to a close. The four-day celebration stood as a vibrant gathering of cinema and creativity, while keeping the spirit of Rituparno Ghosh at its heart. The final day ended on a memorable note, bringing our second day at the festival to a fitting close.

 

MAITRI CULTURAL ECONOMY SAMITI (MCES) WEST BENGAL SUMMIT, KOLKATA 2026

Report

Rai Saha

Photographs

Teerthankar Basak & Md. Sameer

BAJMC Sem 3

Mentor

Prof. Moumita De Das, Associate Professor, ASCO 

 

ASCO Students & Team ASCOPE at MCES 2026
From L-R Rai Saha, Aishwarya Siingh, Prof. Moumita De Das, Tanisha Banerjee, Md. Sameer, Nilanjana Chattoraj (sitting) Teerthankar Basak, Sohini Bhattacharya

MCES 2026: Unfolds the Vision of Purvodaya Through Culture, Spirituality and Economic Policy, with ASCO Students Capturing Every Chapter

 

On July 17, 2026 marked a significant milestone in India's cultural and policy landscape as MCES 2026, themed "Purvodaya," successfully convened Eastern India's first Cultural Economy Summit at Fairfield by Marriott, Kolkata. Organised and powered by the Maitri Cultural Economy Samiti (MCES) under the aegis of MaitriBodh Parivaar, the summit was held in close collaboration with the Ministry of Culture, Government of India, the Eastern Zonal Cultural Centre (EZCC), the Maulana Abul Kalam Azad Institute of Asian Studies (MAKAIAS), Mahindra, SmArt and the Bharat Ekatvam Foundation.


Guided by the spiritual vision of His Holiness Maitreya Dadashreeji and driven by the economic leadership of Shri Gopal Krishna Agarwal, Patron, MCES and National Spokesperson, BJP (Economic Affairs), the summit sought to redefine the way India perceives culture, not merely as an inheritance of the past but as a living, evolving economic force. Under the theme Purvodaya, meaning the "Rise of the East," the summit envisioned Eastern India as a catalyst for a new developmental narrative where Sanskriti, spirituality and economic policy complement one another in shaping sustainable growth.

Throughout the day, scholars, policymakers, economists, artists, spiritual leaders and cultural practitioners came together to examine how India's festivals, temple ecosystems, indigenous knowledge systems, crafts, traditions and heritage can become engines of employment, entrepreneurship and inclusive development while preserving the country's civilisational identity.

The summit unfolded through eight carefully curated segments, comprising the inaugural session, three thematic sessions, two parallel thematic sessions, networking interactions, the presentation of the policy report and a concluding cultural programme that celebrated the artistic traditions of Eastern India.


MCES Session 2026

The Inaugural Session, themed "Governing the Cultural Economy: Institutional Roles and Policy Strategies," laid the foundation for the day's deliberations. The session was graced by Shri Gopal Krishna Agarwal, Shri Shailesh Puranik, Dr. Sarup Prasad Ghosh, Shri Shankar Ghosh, Smt. Purnima Chakraborty, and Shri Gajendra Singh Shekhawat, Hon'ble Union Minister of Culture and Tourism, Government of India, who addressed the gathering virtually. Together, the dignitaries emphasised that India's cultural heritage should be recognised not only as a source of identity but also as a strategic driver of economic development, capable of strengthening local economies while reinforcing national pride.

The discussions continued with Thematic Session I – Spiritual Traditions and Temple Economy: Perspectives from West Bengal, chaired by Prof. Nirmalya Narayan Chakraborty, Vice-Chancellor, Presidency University. The distinguished panel included Shri Kushal Choudhury, Secretary and Trustee, Dakshineswar Kali Temple and Debottar Estate; Shri Ravi Singh Chaudhary, Eminent Author and Public Thinker; Brahmachari Divakar Chaitanya, In-charge, Chinmaya Mission, Kolkata; and Paramatmanandaji Ji Maharaj, Spiritual Guru and Eminent Author. The session explored the economic significance of temple ecosystems, heritage restoration, spiritual tourism and the role of religious institutions in generating sustainable livelihoods while preserving authenticity and cultural values.

 

Thematic Session II – Reflections of Cultural Economy in Eastern India: Intersections of Culture, Society and Economy brought together Shri Ashish Giri, Director, Eastern Zonal Cultural Centre; Dr. Dhanpat Ram Agarwal, National Co-convener, Swadeshi Jagran Manch; Mrs. Meena Vishwanath, Deputy Director, SMaRT; Smt. Tramila Bhattacharya, actress and social worker; Dr. Sumit Sur, Ayurveda practitioner and researcher in Indian Knowledge Systems; and Shri Goutam Dey, Founder and President, Bharatacharcha Foundation. Through diverse perspectives, the speakers examined how cultural practices, traditional knowledge systems and community participation continue to shape regional economies and strengthen Eastern India's developmental landscape.

The historical continuum of Eastern India formed the basis of Thematic Session III – From Anga to Banga to Kalinga: Reimagining Ancient Cultural Linkages for Sustainable Cultural-Economic Connectivity. The session featured Prof. Byomakesh Tripathy, Vice-Chancellor, Gangadhar Meher University; Prof. Ramkrushna Pradhan, Dean, School of Social Sciences, Guru Ghasidas Vishwavidyalaya; Dr. Pritam Banerjee, Head, Centre for WTO Studies; and Prof. Rabiranjan Sen, historian and President, Vidya Bharati, West Bengal. Drawing upon the maritime and cultural exchanges that once connected Anga, Banga and Kalinga, the discussion explored how these historic linkages can inspire contemporary regional cooperation and sustainable economic connectivity.

Running simultaneously were two parallel sessions that expanded the summit's multidisciplinary discourse.

Parallel Session IV – Lifestyle Through Art: Restoring Heritage for Sustainability featured Dr. Joy Sen, Professor, Department of Architecture, IIT Kharagpur; Shri Swapan Thakur, researcher in folklore and cultural traditions; Smt. Sanghita Mitra, Founder and Secretary, Bharatpur Patachitra Shilpi Samiti; Dr. Shubham Amin, academician and art critic; and Mrs. Arpita Bose, Lecturer, Shree Chaitanya Mahavidyalaya. The session celebrated traditional art forms as living embodiments of sustainability, demonstrating how indigenous artistic practices continue to preserve cultural identity while supporting artisan livelihoods.


 
                                        Prof. Moumita De Das as a MCES Speaker 

 
Background Paper/Conference Paper published of Prof. Moumita De Das

In parallel, Session V – Artificial Intelligence, Heritage Documentation and Intellectual Property Rights: Preserving Cultural Legacy in the Digital Age explored the transformative role of emerging technologies in safeguarding India's cultural wealth. The panel comprised Smt. Moumita De Das, Associate Professor, Amity University Kolkata; Dr. Somsubhra Gupta, Professor, Swami Vivekananda University; Shri Aditya Das, Head, Department of Commerce, Raghunathpur College; Dr. Anirban Das, Professor and AI researcher; and Shri Kaushik Maiti, Scientist, Centre for Development of Advanced Computing (C-DAC), Kolkata. The discussion highlighted how artificial intelligence, digital documentation and intellectual property frameworks can become indispensable tools for preserving cultural heritage in an increasingly digital world.

 

Session 5 Panelists and MCES Organisers

The summit concluded with the Valedictory Session and Presentation of the Policy Report, themed "The Way Forward and Roadmap for Cultural Economic Governance in Bengal: Envision Viksit Bharat @2047." The session featured addresses by Shri Rathindra Bose, Hon'ble Speaker, Government of West Bengal, and His Holiness Maitreya Dadashreeji, whose reflections underscored the importance of integrating India's timeless wisdom with contemporary governance and economic policymaking. As the programme drew to a close with a vibrant cultural presentation, Purvodaya had evolved from a theme into a shared vision.

More than a summit, MCES 2026 became a confluence of ideas where history conversed with the future, spirituality met public policy and culture emerged as an enduring economic resource. It demonstrated that the stories, traditions and knowledge systems inherited across generations are not relics of the past but living assets capable of inspiring innovation, creating livelihoods and shaping a more inclusive and culturally rooted model of development. In doing so, Purvodaya truly marked the dawn of a new conversation on Cultural Economy in Eastern India, laying a strong foundation for future collaborations between academia, government, civil society and young communicators.

 

                 Background Paper officially released by the Tourism and Culture Ministers, Govt. of West Bengal


OUTCOME FOR STUDENTS AND FACULTY MEMBER


Under the mentorship of Prof. Moumita De Das, ASCO, students received this prestigious opportunity, which was part of their Experiential Learning under UGC's NEP 2020. Beyond the distinguished speakers and thought-provoking deliberations, the summit stood as a testament to the dedication of its student volunteers, whose efforts were instrumental in documenting the event. Students from the Amity School of Communication (ASCO), Amity University Kolkata, actively contributed as rapporteurs, photographers and reel creators, working in close coordination with the organising team throughout the summit. Assigned across the thematic sessions, they meticulously documented keynote addresses, panel discussions and policy recommendations through rapporteur reports while simultaneously capturing the essence of the event through photography and short-form visual storytelling. Their work ensured that the ideas exchanged within the conference extended beyond the venue and reached wider audiences through impactful documentation. 


                Students worked as Rapporteurs for 7 sessions along with other academicians from other institutes

Our ASCOPE went national and collaborated with the MCES/Maitri Parivaar

The experience offered the students an invaluable opportunity to translate classroom learning into professional practice. Through real-time conference reportage, photography and digital storytelling, they developed practical skills in event documentation, visual communication, collaborative teamwork, professional ethics and deadline-oriented media production. Engaging directly with policymakers, academicians, economists, researchers, artists and spiritual leaders also broadened their understanding of the emerging discipline of Cultural Economy and the role of media in documenting policy discourse. Further strengthening ASCO's academic presence, Prof. Moumita De Das, ASCO also contributed to the summit as a speaker in Parallel Session V, on ‘Artificial Intelligence, Heritage Documentation and Intellectual Property Rights – Presereving Cultural Legacy in the Digital Age’. She also contributed to the Background paper, which was published officially by the organisers and ministers of tourism and culture Govt. of West Bengal. 

In recognition of the ASCO students commitment and contribution, they were presented with Certificates of Appreciation.


REPORT ON EXPERIENTIAL LEARNING FOR ASCO STUDENTS


Under the mentorship of Prof. Moumita De Das, Amity School of Communication (ASCO) students received the prestigious opportunity to be associated with MCES 2026, under Experiential Learning as framed in UGC's NEP 2020.

 

ASCO student volunteers, actively contributed as rapporteurs, photographers and reel creators, working in close coordination with the organising team throughout the summit. Their efforts were instrumental in documenting the entire event.

 

The experience offered the students an invaluable opportunity to translate classroom learning into professional practice. Through real-time conference reportage, photography and digital storytelling, they developed practical skills in event documentation, visual communication, collaborative teamwork, professional ethics and deadline-oriented media production. Engaging directly with policymakers, academicians, economists, researchers, artists and spiritual leaders also broadened their understanding of the emerging discipline of Cultural Economy and the role of media in documenting policy discourse. Further strengthening ASCO's academic presence, Prof. Moumita De Das, ASCO also contributed to the summit as a speaker in Parallel Session V, on ‘Artificial Intelligence, Heritage Documentation and Intellectual Property Rights – Preserving Cultural Legacy in the Digital Age’. She also contributed to the Background paper, which was published officially by the organisers and ministers of tourism and culture Govt. of West Bengal. 

 

In recognition of the ASCO students commitment and contribution, they were presented with Certificates of Appreciation.


IMP: The official report will soon be published by the Ministry of Culture, Govt. of India and MCES. 


Certificate of Appreciation

N.B: We are extremely thankful to Bharat Ekatvam and Maitri Parivaar Team 

to provide us with this prestigious opportunity for our ASCO students under Experiential Learning and Extension Activity under UGC NEP 2020.