Showing posts with label Moumita De Das. Show all posts
Showing posts with label Moumita De Das. Show all posts

জয়া /Jaya - a short story

Moumita De Das

Associate Professor and Editor (ASCOPE)

 
Jaya at 8.10 am Bongaon Local; A short clip of her voice by the author

সকাল ৮.১০ এর বনগাঁ লোকাল।

সোমবারের শিয়ালদাহ স্টেশন এর চত্বর - 
মেহুলি কোন মতে দৌড়ে ট্রেনটি ধরল - লেডিস কম্পার্টমেন্ট। 

খুব কষ্ট করে একটা সিট এ গাদাগাদি করে নিজেকে ঠেকালো, কারণ, অনেকটা পথ তাকে যেতে হবে.- অশোকনগর স্টেশন। যেখানে সে একটি সরকারি স্কুলের রাষ্ট্রবিজ্ঞানের শিক্ষিকা। 

এই রোজনামচার জীবনে বনগাঁ লোকাল এর লেডিস কম্পার্টমেন্ট, মেহুলির জীবনে একটা বিশেষ জায়গা করে নিয়েছে। এখানে রোজ কত-শত নারীরা জীবন যাত্রায়, তাদের দৈনন্দিন জীবনের লড়াই এ সামিল হন - কিছুজন 

স্বেচ্ছায়, কিছুজন পরিস্থিতির চাপে। 
আজ পঞ্চমী - দূর্গা পুজোর পঞ্চম দিন, আজ  মেহুলির  স্কুলে অনুষ্ঠান হয়ে পুজোর ছুটি পরবে।   

 মেহুলি  ভাবে, মা প্রত্যেক বছর আসেন - আর এই কয়েকদিন, বাংলা এবং বাঙালি মানুষেরা, তাঁরা পৃথিবীর যে কোন প্রান্তে থাকুন না কেন - জাত-পাত, ধর্ম  - সব রকম বিভেদ ভুলে দুর্গাপুজোর উন্মাদনায় মেতে ওঠেন। 
মূলতঃ পশ্চিমবঙ্গে, ছোট-বড়  শহর ও শহরতলির কত-শত জীবন্ত দূর্গা আছেন - যারা প্রতিনিয়ত তাঁদের মতন করে জীবন-যুদ্ধে  লড়াই করে চলেছেন, তাঁদের গল্প কি আমরা কখনও জানতে চাই? 
না, জানতে পারি ? 

কিন্তু, লোকাল ট্রেনের নিত্যযাত্রী হওয়াতে, মেহুলি, অনেক জীবন যুদ্ধের সাক্ষ্য বহন করেছে, যেটি সে নিজের জীবনের একটি সম্পদ বলে মনে করে ।

এই গল্প তাঁদের মধ্যে থেকেই একটি  ছোট্ট মেয়ের লড়াইয়ের।  বলতে পারেন,  মেহুলির  জীবন থেকে কুড়িয়ে পাওয়া ছ - আনা। 

ট্রেন তখন সবে দমদম junction ঢুকছে- মানুষজনের ভিড়ের মধ্যে থেকে দূরের কপের্টমেন্ট থেকে একটি সুরেলা কণ্ঠ ভেশে এলো - 

'নদী ভরা ঢেউ বোঝ নাতো কেউ, কেন তরী নিজে বাও বাও বাও রে...
ভরসা করি এ ভব কান্ডারী, হালটি ছাড়িয়া তারে দাও দাও দাও রে...'

চমকে গেলো মেহুলি , এ তো ভবা পাগলা র গান - সে শান্তিনিকেতনে লক্ষণ দাস বাউলের কণ্ঠে শুনেছে - খুব সুরেলা কণ্ঠ - ওর মন ছুঁয়ে গেল - ট্রেন ছুটতে থাকল - ও অস্থির হয়ে উঠল - গায়ক কে দেখার জন্য...
ট্রেন যখন বারাসাত ঢুকছে তখন সে দেখল - একটি জীর্ণ-শীর্ণকায় হাফ প্যান্ট পড়া ছেলে গাইছে। ও তখন গান ধরেছে - 

'মিলন  হবে কত দিনে, আমার মনের মানুষের সনে...আমার মনের মানুষের সনে...'

মেহুলি ওকে কাছে ডাকল, "এই শোন, এদিকে এস, কি নাম তোমার?"

ও একগাল হেঁসে  বলল, "জয়া। "
আঁৎকে উঠল মেহুলি, বলল ,"সে তো মেয়েদের নাম, জানিস, 'জয়া' দূর্গার আরেকটি নাম? তুই তো ছেলে?"

জয়া হেঁসে বলল, "না, আমি তো মেয়ে -"
মেহুলি বলল, "কিন্তু, তুই ছেলে সেজে কেন গান গাইছিস?"
জয়া - "দিদি, সমাজের চোখ কে ফাঁকি দিতে, যাতে মানুষ নামের শেয়াল - কুকুরদের হাত থেকে বাঁচতে পারি।"
মেহুলি ওঁর কথা শুনে মনে হল - সমাজের গালে জয়া একটি সপাটে চড় কষিয়েছে। 

মেহুলি - "তোমার বাড়িতে কেউ আছে?"
জয়া - "হ্যাঁ দিদি, আমার ক্যান্সার আক্রান্ত মা , আর কেউ নেই।  আমি সকাল ৮ থেকে ১১ অবধি ট্রেনে লেডিস কম্পার্টমেন্ট এ গান গাই।  আমার বাড়ি বিরাটি।  পৌঁছে, মা র জন্যে রান্না করি, তারপর আবার ৪ থেকে ৭ অবধি গান গাই ট্রেনে, কিন্তু তখন বেশি দূর যাইনা।  
 
মেহুলি ব্যাগ থেকে ৫০০ টাকা বের করে ওকে হাতে দিলো। 

জয়া - "কি করছ দিদি - আমার কাছে খুচরো নেই, তুমি অত বড় নোট দিও না। "
মেহুলি অবাক হল, চোখ ছলছল হয়ে উঠল, আর বলল, "আজ পঞ্চমী জানত? জয়া কিন্তু দূর্গা মায়ের আরেকটি নাম - ধরে নাও না, আমি মা দুর্গার পূজার পুষ্পাঞ্জলী দিচ্ছি। "

Announcement হল, পরের স্টেশন, অশোকনগর। 

মেহুলি উঠে দাঁড়াতেই --
জয়া ওকে ঢিপ করে প্রণাম করল। 

আর ছলছল চোখে বলল, " জয় মা দূর্গার জয়। "
মেহুলী ওর মাথায় হাত রাখল আর আলতো করে ওর চিবুকে হাত দিয়ে বলল, "জয় হোক মা জয়ার জয়।"

ট্রেন অশোকনগর স্টেশন ছেড়ে ধীর গতিতে এগিয়ে চলল। 



Book Review: “The Dynamics of Media Laws in the Indian Context” by Moumita De Das

Review

by

Aishwarya Siingh

B.A Sem 1

The Book Cover

“The Dynamics of Media Laws in the Indian Context” by *Moumita De Das is an exemplary work that stands out for its clarity, depth, and comprehensive coverage of media laws in India. As a student of journalism and mass communication, I found this book to be not only informative but also engaging and highly accessible—a rare combination in academic texts dealing with complex legal frameworks.

One of the best things about this book is its language. The author explains complex legal ideas in a clear and straightforward manner. The writing is friendly and avoids confusing words, while still giving good and complete information. The book is ideal for both BA and MA students in Journalism and Mass Communication. It is a must-read for anyone studying these courses, as it provides a strong foundation in media laws and encourages students to think critically.

The content of the book covers almost all topics relevant to the Indian media landscape. From historical developments to contemporary legal challenges, every aspect is addressed with careful attention to detail. As a result, readers gain a subtle understanding of the subject matter, which is invaluable for academic success and professional development.

What truly sets this book apart is its balanced perspective. The author ensures that readers are exposed to both sides of every debate and issue. The book presents multiple viewpoints and interpretations, allowing readers to appreciate the complexity of media laws and their impact on society. This trait is particularly important for students, as it fosters analytical skills and encourages them to form their own opinions based on a well-rounded understanding of the issues at hand.

The book is also engaging and hooking in nature. It manages to maintain the reader’s interest throughout.

In conclusion, “The Dynamics of Media Laws in the Indian Context” is an essential addition to the bookshelf of every journalism and mass communication student. Its simple language, comprehensive coverage, balanced analysis, and engaging style make it a standout resource in the field. The author has made a significant contribution to media education, and her book is sure to benefit countless students and professionals for years to come.

*Moumita De Das, Associate Professor and Editor (ASCOPE)

अब मैं तुम्हे कैसे बताऊं?

            A Hindi Poem 

        by

           Tanisha Kabra 

        B.A Sem I

Pic: Pexels 


अब तुम्हे कैसे बताऊं, मेरे लिए क्या हो तुम, 

 सुबह की पहेली सूरज की किरण हो तुम,

 मेरी जिंदगी में चाय में एक्स्ट्रा चीनी वाली मिठास हो तुम,

 खिलते गुलाब की ख़ुशबू हो तुम...

 

अब तुम्हे कैसे बताऊं, मेरे लिए क्या हो तुम,

 मेरी इन आँखों का सुकून और दिल का चैन हो तुम 

अँधेरे आसमान में पूनम का चाँद हो तुम,

 मेरे पूरे दिन खुश रहने की एक इकलौती वजह हो तुम, 

अब मैं तुम्हे कैसे बताऊं?

  मेरे लिए क्या हो तुम...


Edited by: MDD 

SHILLONG THROUGH LOCAL EYES: A TRAVELER’S GUIDE

(Puja Edition)

Gabriella Nongtdu

B.A Sem 1



“The town was a small one, but it carried within it the echoes of a wider world.” Wrote Siddhartha Deb in his book The Point of Return, speaking of his time growing up in Shillong. Just like him, a large number of people who have visited Shillong if not all, have had lovely experiences exploring the city. How could anyone not? Shillong, a city in the state of Meghalaya is known for its immaculate weather all year round, magnificent sightseeing locations, bustling markets, terrific local cuisine and many travelers have said that people of this city are the calmest and kindest. Shillong is popularly known for its outskirt locations and rightfully so, the never-ending sight of evergreen hills and giant cascades allures people quite like no other. However, that is not only what the city offers.  


There are still numerous traditional and old tourist attractions and activities to experience in the city, like visiting the market and Ward’s Lake located in Police Bazaar, Lady Hyderi Park in Lower Lachumiere, Don Bosco Museum in Mawlai, the golf course in Golf Links, the Cathedral in Laitumkhrah and so on. However, many travelers visit Shillong often and the common tourist attractions are limited in the city, or some travelers want to experience the authentic lifestyle of a local. Café culture is a growing trend in Shillong. Some of the cafés and eateries that are worth visiting are Roma Eatery, The Grub, Suburb, Shillong Café, Dylan’s Café, and Fika all located in Laitumkhrah, Farraway and Kynjai Cloud Kitchen in Motinagar, Cherry Bean and Trifle in Police Bazaar. As of fine dining there is the Heritage Club, Acropolis, The Ambience, The White Rock, Bistro 16, The Mango Tree, City Hut Family Dhaba, all located well within the city with great ambiance and music. And as for local cuisines, Rynsan in Laitumkhrah, and Agapae in Police Bazaar are the popular spots although the city is sprawled out with small local food stalls. Shillong is also known as the Rock Capital of India therefore music is at the heart of Shillong’s evenings. Venues like Cloud 9, Pinewood Hotel, Evening Club, and Café Shillong are popular spots for live gigs.

Now, if you want authentic local experience then Iewduh is just the right place. Iewduh, also known as Bara Bazaar is a market built almost entirely for locals unlike Police Bazaar which is quite tourist-oriented. Walking through Iewduh is an experience for all the senses as the market is segregated into sections as per their items. When you enter the market from the north, the section is called Khlieh Iew (Head of the market) and it’s the oldest part. Here you will encounter vendors selling livestock especially chicken, and as you go down further to the right of the narrow lanes you will arrive at the section of vendors selling vegetables and an infinite amount of spices. Various kinds of vegetables would be sprawled out on each side with a huge variety of common and even local vegetables namely swathang (a bitter vegetable), sohkhia-khlaw (wild cucumber-like leafy green), etc. Moving down the small and narrow steps you will reach the fish vendors selling all kinds of fresh, frozen, and dried fish. Describing each detail of this market would be next to impossible as its core area alone has over 5,000 permanent stalls/shops and hundreds of temporary vendors who come daily, under approximately 2km distance. While you would not walk a 2km stretch, the market feels endless because its made of interconnected alleys and courtyards where you could easily spend hours exploring and still not see every section. To list out the other sections, there is the spices and betel nut section, ritual and household items section, textile and clothing section, livestock corner, and many more.

   

Shillong is not just a gateway to Meghalaya’s beauty, it is a destination in its own right. Within the city every corner tells a story. For those who wander through its streets, Shillong offers more than sights, it offers experiences. The city may be small on the map, but within its hills and streets lies a world that lingers long after you have left.

 Pic Credit: Gabriella Nongtdu

                  Moumita De Das, Associate Professor, ASCO

 

 

 

Durga within Us

 

(Puja Edition 2025)

Anuradha Halder

B.A Sem 1

Maa is coming 
Pic Credit: Moumita De Das, Associate Professor, ASCO


She shines like thousand suns,

Her golden aura blazing against the darkness.

Her ten arms stretch wide,

Each carrying a weapon of justice.

Her eyes are vast and fierce,

Burning with fury against evil.

Her hair flows like a storm cloud.

Her smile holds both,

Gentleness of a mother and fury of a warrior.

 

Like Durga every women carries,

“Fiery crown of light”.

As Durga every women holds,

“Instrument of power”.

Like Shakti every women’s eyes,

“Ignites in defiance of evil”.

As Shakti’s hair each and every women’s cascade,

“Like a ragging storm”.

Durga does not descend-

She is born again each time a women stands tall.

 

 

Durga struck down the Asura,

Her triumph blazing through time-

-Yet the Asuras return in many forms,

And still women rise to fight them.

Every women is a goddess in disguise,

Balancing storms with quite smile,

Carrying the weight of world without a cry.

The goddess does not depart-

She thrives, eternal and unyielding,

In every women’s blood.

Durga is no myth-

She is the pulse, the fire,

The unyielding force within every women.

NATIONAL PR DAY celebrated by the PRSI, Kolkata Chapter

by

Moumita De Das

Associate Professor & ASCOPE Editor

Amity School of Communication, Kolkata

The event poster

Amity University conferred the Institutional Distinction for Media Education 
by PRSI, Kolkata Chapter

This is a moment of joy for Amity University Kolkata


On 22nd April, 2025, the Public Relations Society of India (PRSI), Kolkata Chapter conferred Amity School of Communication (ASCO-KOL) the Institutional Distinction for imparting the Media Education in West Bengal!

Our student Shreya Kumari from M.A PR received her medal and the certificate
for being PR Topper

Other Student Toppers

The annual programme which marked the celebration of the National Public Relations Day also recognised the PR Toppers from the prestigious media institutes in the state of West Bengal. Our student, Shreya Kumari from M.A PR  received her medal and the certificate.

The evening well spent with the keynote address on AI and the responsible usage by the Principal of Dr. B.C. Roy Engineering College, Durgapur, Dr. Sanjay S. Pawar.

The event was held at Balmer Lawrie Training Centre. We are grateful to Shri Soumyajit Mahapatra, Chairman, PRSI, Kolkata Chapter for organising such eventful programme and conferring Amity University.

The media fraternity of Kolkata





Relationship Gyan by Moumita De Das


Dil toh hai dil.... Aahista Aahista...

 Raat baaki,baat baaki  Tanhayeen...

 Kya gham hai...

    Khush raho, abaad raho, dil mein raho ya na raho...
















ASCOPE pays tribute to Gurudev Rabindranath Tagore on his birth anniversary

ASCOPE celebrates Rabindra  Jayanti


Moumita De Das, Editor, ASCOPE

Rabindranath Tagore 7 May 1861 – 7 August 1941 was a British Indian polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer, and painter of the Bengal Renaissance. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. 

He was the author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali. In 1913, Tagore became the first non-European to win a Nobel Prize in any category, and also the first lyricist to win the Nobel Prize in Literature. 

Tagore's poetic songs were viewed as spiritual and mercurial; where his elegant prose and magical poetry were widely popular in the Indian subcontinent. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by the sobriquets Gurudeb, Kobiguru, and Biswokobi.

As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in his founding of Visva-Bharati University.

Text: Wikipedia